BAMMERS Brings Electronic Dance to the House

With a soothing beat and a clean-mixed sound, BAMMERS enters the music scene with a fresh take on the techno dance scene. Check out his song “SAMMER” from his upcoming album “DENBEATS” on Soundcloud:

Upon first listen, the song evokes imagery of a tropical dance party on the beach. The vibe is cool, chill, optimistic, and easily able to make it onto any electronic music playlist. But the song becomes much more when focusing on the details. There are lots of elements to unravel as the track progresses. Clearly, a lot of attention was put into the mix to get an array of layers to coexist peacefully.

The song offers a synth wave with a minimalistic beat and a heavy bass, as hi hats drop in to add to the momentum. Breakdowns throughout the song offer a moment of reflection to fully appreciate the environment presented in this track. There are many percussion elements used from arpeggiate keyboard melodies to splattering distorted effects. It’s these interesting intertwining production techniques that make this track stand out from the rest. The rhythm section is the main attraction and truly makes you nod your head to as you roll the top down on a long, sunny road trip. This is a recommended track for anyone looking to have a good start to their day or wind down for a relaxing night.

This is a promising start and the potential in BAMMERS to produce more quality music is high and we look forward to hearing more when “DENBEATS” drops. Stay up to date with this rising artist on his BAMMERS Instagram.

Nocturnal Omissions’ “Divine Atrocities” is a Blast from the Past

Nocturnal Omissions is a one-man solo electronic project whose music has been largely unknown for too long. Originally releasing albums as Soundcloud exclusives, a deal was inked to re-release their internet-only albums to be available on all streaming services. One of those albums, “Divine Atrocities,” released in 2006, has been remastered and is now available as a pandemic re-release. Feast your ears on “Divine Atrocities” below:

The album begins with “Gloomy,” a demo that shrouds itself in a relaxing vibe layered with sweet synths and melodic keys pulsating in an upbeat tempo. The spacey ambiance sets the tone of the album and for what’s to come. “Mitigate” picks up the heat and rhythms with a stringy, spider web of a synth that would fit right at home at a neon-sprayed rave. The production is clean with vibrant beats bouncing off the ears as each instrument has its own space to shine. The song makes you want to get lost in the hypnotic sensation of body-moving beats.

Clearly at this point in the album, Nocturnal Omissions has been laser focused on presenting high-definition sound with top notch mastering. The 2006 days of iPods and mp3s are long gone. Audiophiles want their pristine sounds and with “Divine Atrocities,” they’re getting them.

“Puerile” is ready to be the backdrop of an intense Matrix battle scene as it burns through all expectations. Strong, moving, engaging and ultimately a hazard when played at full volume, this track will take your sensory perception of reality and smash it into pieces. Everything you knew before is no longer real and you’re left feeling exhausted by the end–but ready for more. “Copasetic” is so far the catchiest track of the album, with an invigorating hook that doesn’t let go. A crowd pleaser for a packed party house, this song will have you clapping hard and performing moves on the dance floor you never knew you had. Give in to the groove and learn more about yourself than you ever have before with this song.

It’s at this point in the album we realize that Nocturnal Omissions can continue to keep his songs interesting and evolving. The tracks are dynamic, from keeping the beat going to building up tension, ultimately giving you what you want even if you didn’t know you wanted it.

“Distemper” is dark, mysterious, and so far, the wildest of the tracks. Along with moving your body, your head will bob with attitude as you strut your way down this futuristic runway. Strike a pose and feel yourself become connected to this body-clenching beat. The breakdown perks the ears up and keeps you on your toes, and soon those toes will return to slamming the dance floor in moments. “Febrile” is an outer space song brought to us by aliens from their progressive trance planet. They have used this song to abduct listeners to joining their mesmeric army. A unique, albeit short experience, the track deviates just enough to separate it from the rest of the bunch.

The album is a snapshot of the good ol’ days of MySpace and what is was capable of possessing. There’s no posing here. It’s all about solid writing, recording, and producing sound waves to make the listener feel alive. A whole new generation will be able to experience Nocturnal Omissions trance world, with good timing too, as clubs continue to open. Let’s get these tracks added onto your favorite DJ’s playlist. Here’s to the final stretch of the album. Hold on tight.

“Captious” comes blasting in on full throttle, destroying all buildings in its path. The song is in your face and won’t leave until it leaves it fully electrified. You will be left sweating, out of breath, and out of words after this electro body number hits the speakers. Heavy synths layered with melodic undertones make for a truly sublime experience. “Funambulism” is bizarre and enchanting all at once. You’ll feel underground and in space simultaneously. Your body won’t know which way to move. Your mind won’t know what’s going–it also doesn’t want to know. Let loose. The rhythm will take over and there’s nothing you can do to stop it.

“Funambulism” – Personal favorite!

“Anointed Sea of Misery” presents a mid-tempo rocking beat accompanied with synth arpeggios roaming in the wild. This is one of the more introspective songs on the albums. It’ll leave you wondering if you are who you really say you are. Lively and strangely comfortable, this song is a nice change of pace from the previous head bangers. “Uninspired” is an epilogue to close out this journey of highs and hardly any lows. A nice way to let your heart rate return to normal.

Overall, “Divine Atrocities” is an impressive feat that was almost lost in time. As more artists look to expand forward, it’s important to look back to see what pioneers in the independent landscape did in their heyday. This album is cohesive in nature yet delves down many different creative paths, touching upon all the key cornerstones of the EDM genre and stretching them into new dimensions.

The Artist has been in the dark for too long. Time to embrace the spotlight. Hear more of Nocturnal Omissions on Bandcamp, YouTube, Spotify and his website.

“Before it Ends” Makes Your Body Move

Xayberoptix premiered a new song on Feb. 14 that will light up the dance floor and make you wave your hands in the air from excitement. “Before it Ends” is a modern take on the electronica genre made to fit right in with any classic dance playlist. Check out the promo virtual concert below:

Written and produced by Laos-native Xayberoptix and featuring Laura S. Wright on vocals, “Before it Ends” is a catchy, upbeat dance anthem that could shine at any EDM festival. Harkening back to the pulsing beats found in the early 90s dance club scene, “Before it Ends” combines body-moving rhythms with romance-inked lyrics, resulting in a new fusion best accompanied by strobe lights and pyrotechnics. The song demonstrates Xayberoptix’s command of the electronica genre, as he intertwines smooth keyboard melodies to drive the song while backing synths ease in and out to fill out the deep end. His collaboration with Laura is a perfect match as her voice elevates the song to the next level, adding strong emotion to match the high party energy.

Xayberoptix is no stranger to composing and producing tracks of all genres, and we’re excited to see where the next stop is on the unique musical road ahead of him. To stay up to date with all things Xayberoptix, check out his Facebook, TikTok, Instagram and YouTube channel.

Emily James Releases New Video for “If Walls Could Talk”

LA-based singer-songwriter Emily James released the video for her new single, “If Walls Could Talk.” The song is about the idea that a room can witness the rise and fall of a relationship. The video features Emily playing piano and a dramatic dance, letting the song take the front seat and leaving room for the viewer’s imagination to wander and reflect on their own experiences.

“If Walls Could Talk” is the second single and music video to be released from Emily’s forthcoming debut album, due out February 9th, 2018, following her lead single, “Lion’s Den.” The album, “Til the Morning,” was recorded with Grammy-nominated producer, Ryan Hadlock (The Lumineers, Vance Joy).

Follow Emily James on Twitter, Facebook, Instagram, and her official site.

Broke Royals release new single “As Long As I Can See”

Broke Royals have released the new pop friendly and inspirational track “As Long As I Can See” from their self-titled album coming out Nov. 17. Check out the music video here:

The band pulls from a wide range of sounds across indie, electronic, and pop to marry raw, organic characteristics with crisp, detailed digital elements and production. The video relies on striking visuals and incorporates sign language in each scene in an effort to raise deaf awareness during Deaf Awareness Month in September. The International Week of the Deaf begins on the 18th and the video serves as a way to show how music can be enjoyed and felt without words. The band will be donating the profit from the first week of sales and streaming to the Nyle DiMarco Foundation; a non-profit who works to improve the lives of deaf people.

Broke Royal members Philip Basnight and Colin Cross were inspired by the unspoken emotional response to seeing a loved one after a long day and the importance of reconnecting. Basnight said the album’s name represents a confidence and assurance for the band’s future.

“When we started recording music we didn’t know that there would be such a stirring creative chemistry, but by the time we made the album we had found our sound,” Basnight said.

Be sure to check out the self-titled album when it drops on November 17.

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