For anyone who’s looking for an atmospheric song with contemplative lyrics, look no further than Adry’s latest single “Well,” which soars high and wide with a catchy chorus and sounds buttery-crisp with top-notch production. Check out the song on Spotify here or check out the lyric video below:
Adry’s been releasing music for more than a decade now, but fans have been waiting a while for a new release. He explains how “Well” became to be:
“I’ve been on a journey with music over the years and this track is pretty much the product of that,” Adry said. “I penned the lyrics in a Berlin hotel room and recorded it at studios in London and the USA. Writing on the road opens up a whole new world of inspiration, fusing different cultures and emotions.”
The result is a song with strong lyrics that tell a tale and instrumentals that are clearly defined. It begins with a somber tone and shadowy synths as Adry’s distinctive voice comes in with a sense of longing and desire. The listener is then welcomed to the chorus like a shine of light, as it brightens the song up with hope and inspiration but still hangs onto vulnerability, as he sings “back into a dream while I’m getting scared.” The differences between the light and dark seem to be a big theme of the song and it reflects in the tone as well as with the message. The breakdown solo showcases delicate yet heartfelt guitar that can be a sign of how the person in the song is feeling.
Overall, “Well” has a range of emotions to keep anyone engaged for many repeat listens. Hopefully, this track is a sign for more future music from Adry to drop soon. We look forward to his upcoming releases and we will be adding “Well” to our newest Pop-Rock playlists!
Joey Flats’ latest track “WASTED” is a surprising departure from the rapper’s previous work. Tapping into an alternative rock nerve, the song’s electric sounds and heartfelt vibes will delight dedicated fans and newcomers alike. Check out the song below:
“WASTED” is a well composed song with catchy hooks, clean guitars and fluid vocals all wrapped up in top-notch production. The immersive lyrics give a sense of desperation, which leads to multiple listens, leaving a lasting impact on the listener. The words capture a moment in a relationship and exposes the vulnerability we feel when we depend on others.
It’s always interesting to hear an artist create music in different genres. The clear production and vocal overlays found in rap and Hip-Hop come through here nicely and show that distortion and soaring guitar solos aren’t always needed to make a solid rock song. The overall sound of this track would not be out of place in a skate-pop-punk mixtape. If you’re looking for fast, youthful and awesome, look no further than “WASTED.”
We look forward to hearing more from Joey Flats and we’re curious to see what genre he jumps into next. To see and hear more of Joey, click here.
Located in South East England you’ll find the Medway-based group Groovy Uncle, and they’re back again with the release of their sixth album “A Clip Round the Ear.” The album serves as a nostalgic trip to the 60s for those who remember the era as well as serving as a gateway drug for a new generation to discover that sound for themselves. However, Groovy Uncle isn’t just here to re-create songs from the past for the sake of going down memory lane, but rather using the classic sounds and old-school style songwriting as a springboard into new uncharted territories topped off with a shiny polish for contemporary audiences.
Groovy Uncle is the moniker of singer-songwriter, arranger and guitarist Glenn Prangnell who has surrounded himself with a revolver door of talents through previous albums for a surprise with each release. For “A Clip Round the Ear,” Nick Rice (bass), Mole Lambert (drums) and a full cast of other talented musicians fill out the record with the most notable collaboration being that of vocalist Suzi Chunk, whose flavorful delivery on many of the tracks becomes the main attraction against the backdrop of soulful, energetic and sometimes raw songs found on the record.
“Mrs Saywell Says” opens the album with garage rock optimism by incorporating a catchy chorus, clear groove basslines and Beach Boys-styled guitars that combine into a fun pop song dipped into a vat of lyrical quirkiness. Glenn’s inspiration for this track’s lyrics stem from his parent’s tales of a real life infant school teacher called Mrs. Saywell in the 1930s and 40s who used the classroom’s open coal fire to heat up her rear end. This highlights Glenn’s ability of taking peculiar situations and creating a narrative consisting of memorable characters that are easy to latch onto and cleverly bringing the album to life in the process.
The nods to the 60s and 70s as an influence are especially notable on “Our Gary’s No Fool,” which is seemingly a lost Beatles track featuring John Lennon at the helm. Other songs such as “The Moon and Back” evoke memories of The Clash with its sassy, fun, and rocking sound that is perfect for blasting loud from a convertible in the neighborhood to enrage those still sleeping at dawn. The guitar solo completes the energetic tune and it’s a stand-out track off the album.
Other songs such as “I Thought It Was About Time,” “The Scheme of Things” and “I Really Wouldn’t Know How” are softer and offer an introspective Jazzy experience filled with sophistication and candor. These songs would not sound out of place coming out of a diner’s jukebox from the golden era. Suzi really displays her talent here in delivering emotion as well as articulating the meaning behind the songs and her boldness and vitality take Groovy Uncle to the next level.
The upbeat rocker “Oil and Colour Man” dives into an interesting narrative that applies the album’s title in its lyrics. The song takes inspiration from Glenn’s memories of a man back in the day who would sell items such as soap and lipstick around the neighborhood. The story in the lyrics is the definite highlight of the song and the spoken words and laughter by James Worse adds humor and a touch of distinctiveness. Listeners can truly visualize the character in the song, but it’s your decision to either feel pity or sympathize with this zany man.
The rest of the songs on the album are either rocking with the occasional use of horns, or slower-paced with sing-a-long melodies that have clear, purposeful vocals, a tight rhythm section and solid production. “A Clip Round the Ear” is ultimately for those seeking a glimpse into a simpler time through light-hearted snippets about not-so-ordinary people told in catchy songs that will get you off your seat and dancing the night away. All the song are short bursts of energy and accessible for newcomers to the genre. If you’re looking for a classic sound injected with experienced yet always curious talent, look no further than Groovy Uncle’s “A Clip Round the Ear.”
Melbourne singer-songwriter AJ Steel is an upcoming talent from down under who is turning heads with his catchy tunes and pop rock style. Today, AJ spoke with ETV about his early influences, the making behind his latest single, and his writing style. Check out his single “Love You When It’s Bad” here:
Some of AJ’s influences growing up were Nat King Cole, Frank Sinatra, and classical music, even going so far as falling asleep while listening to the 1812 Overture back in the day after a morning in the waves. So, it’s no surprise that he would enjoy the likes of “Pet Sounds” by the Beach Boys. He’s also a fan of The Beatles, U2, and Bob Dylan, all artists who are known for their memorable and deep lyrics. Although he is a skilled performer today, he stated that he didn’t start getting into music as early as most musicians do.
“I was probably a bit of a late starter when it comes to music,” AJ said. “I used to play the piano by ear when I was about 10 or 11, then I got side-tracked into surfing. I lived on the coast and it was a real beach town. Everyone seemed to surf there. So, I didn’t get serious about it until I was about 16.”
Since then, he has established himself as a prolific songwriter. His songs have been added to satellite radio with more than 3 million listeners, have been used in independent films out of Los Angeles, and have received national airplay on commercial radio in Australia along with numerous internet radio stations worldwide.
AJ’s music is a mix of the alternative rock sound mixed with the endearing qualities of a good pop song. “Love You When It’s Bad” is an introspective track tinged with hope hanging on each note of the piano ballad. The song soars high in the second half with a full band sound and lyrical inspiration about how much people are prepared to go through to chase after the one they love.
“The song probably took about four months to do,” AJ said. “I’d work on it then have to put it away and then come back to it. I just couldn’t nail down the story for that one. I kind of knew what I wanted to say but it took some time to reveal itself. Some of them come quickly and some of them just take time. There’s not much you can do about it, you just have to keep working on it if you believe the idea has integrity. The recording and production process took some time as well. I tried all sorts of instrumentation and arrangements until I found an arrangement that worked.”
Indeed, it worked, and the story does present itself naturally as the song develops. Like many songs, parts of the production were easy to work on while other parts were either challenging or difficult. One challenge was making a song that covered new ground while also retaining elements of what made his previous work stand out.
“I don’t like to go over what feels like old ground, but sometimes you have to if you want to bring a song to life,” AJ said. “Sometimes you just fight it, you shouldn’t, but sometimes you just do.”
His latest song is just one of many songs he has done before. As a solo artist, AJ has released an EP and four singles, and from his previous band, he has released an EP and an album. To create his songs, he mostly creates them in his studio but is open to collaborating more.
“Music is more fun when there’s other people in the process, but so far I’ve kind of locked myself away,” AJ said. “After going solo, I really wanted to find my sound, what I wanted to say as an artist and that took a lot of time to dig right down and find the real artist I wanted to be. So, I had to lock myself away to do that.”
Overall, AJ Steel is a name to lookout for. He is currently working on two brand new singles, with one of them due out this month and another in the writing stage. As time keeps ticking, AJ will keep writing, recording and releasing new songs that will touch the hearts of many. His next big hit is just around the corner, and we hope you’re there when it arrives.